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This article needs additional citations for. Unsourced material may be challenged and removed.Find sources: – ( August 2014) 'Spanish Harlem'byfrom the album'First Taste of Love'ReleasedDecember 1960 ( 1960-12)FormatLength2: 53.singles chronology'How Often'(1960)' Spanish Harlem'(1960)'(1961)' Spanish Harlem' is a song recorded by in 1960 for. It was written by and, and produced. During a 1968 interview, Leiber credited Stoller with the arrangement; similarly, in a 2009 radio interview with Leiber and Stoller on the talk show, Jerry Leiber said that Stoller, while uncredited, had written the key instrumental introduction to the record. In the team's autobiography from the same year, Hound Dog, Stoller himself remarks that he had created this 'fill' while doing a piano accompaniment when the song was presented to and at Atlantic Records, with Spector playing guitar and Leiber doing the vocal.
'Since then, I've never heard the song played without that musical figure. I presumed my contribution was seminal to the composition, but I also knew that Phil didn't want to share credit with anyone but Jerry, so I kept quiet.' It was originally released as the B-side to 'First Taste of Love'.
The song was King's first hit away from, a group he had led for several years. With an arrangement by Stan Applebaum featuring Spanish guitar, marimba, drum-beats, soprano saxophone, strings, and a male chorus, it climbed the charts, eventually peaking at #15 R&B and #10 Pop. It was ranked #358 on 's list of the.
'Dance For Me' may be a pretty straight forward disco soul jam, but the real. A budding singer from Harlem, Sylvia Striplin got her first real break in. It's no secret that periods of cultural liberation in the Middle East in the. I on Billboard's black chart land lo number 59 pop), it's the Queen of Soul's ISlh No. Is Aretha Franklin: 'Bridge Over Troubled Water' (l971/#6), 'Spanish Harlem'. CAO02I2 (213)273-9012.Mi.rar h.hl Oiiaraiue □□ Attn: Mr.
King's version was not a hit in the: instead, the original A-side, 'First Taste of Love', that was played on Radio Luxembourg, charting at #27. In 1987, after made #1, the song was re-released and charted at #92.
Contents.Aretha Franklin's version. In 1971, released a cover version of the song that outperformed the original on the charts, in which Franklin changed the lyrics slightly: from 'A red rose up in Spanish Harlem' to 'There's a rose in Black 'n Spanish Harlem. A rose in Black 'n Spanish Harlem.” Her version went to #1 on the US soul charts for three weeks and #2 Pop for two weeks. 'Spanish Harlem' was kept from the #1 spot. This version also hit #6 on Billboard's Easy Listening chart.
Aretha Franklin's version earned a for sales of over one million. Played keyboards on Franklin's version with on drums and on bass.Other cover versions. This section may require to meet Wikipedia's. The specific problem is: versions may not meet. Please help if you can. ( August 2018). released a cover version of the song on their 1962 album, She Cried.
Mike Stoller, along with Andre Salvet, wrote French lyrics in 1960. With the help of Lucien Morisse, the song was presented to. She recorded it as ' and released it in 1961. (UK number 20, 1962). released a version on the 1962 album.
He also recorded a German version, titled 'Das ist die Frage aller Fragen', with lyrics by Carl Ulrich Blecher, that was a #1 hit in Germany and Austria in 1963, and a #1 hit in Switzerland in 1965. on the album in 1963.
in 1965. released a cover version on their 1966 album.
recorded a version in Spanish as 'Aquella Rosa' on his 1966 LP, The Second Latin Album, issued by (6215). released a cover version in 1968. in 1969. released a cover version on his 1969 cover album, Wait for Me. It was later included on the 2006 posthumous release Let The Heartaches Begin: The Pye Anthology.
released a version of the song as the to their 1969 single, '. It was featured on their 1969 album,. released a version in 1970 on his album,.
covered 'Spanish Harlem' in her live concert, at the, released in 2004 on the CD Spread Your Wings and Fly: Live at the Fillmore East May 30, 1971. On November 17, 1971, Nyro released a studio version on the album. Her covers gender-shift some of the lyrics of 'Spanish Harlem'. Thus, she sang 'I'm goin' to pick that rose and watch him as he grows in my garden' (originally 'watch her as she grows').
She also added an original gender reference, i.e. 'With eyes as black as coal he looks down in my soul.' (The original lyric is 'with eyes as black as coal that look down in my soul.' ) The live version also substitutes 'rare rose up' for 'red rose up' in the second refrain. in 1974.
The song was performed live by in 1974, featuring on the violin. Only 3 recordings are known to exist. covered the song, at least in part, in a live recording of 'Dazed and Confused'. An example of this appears on the Led Zeppelin bootleg Get Back to L.A., a recording of their Los Angeles concert of March 25, 1975. A Macedonian version, 'Spanski Noki', with lyrics by Gjoko Georgiev and re-edition by Milan Kotlic, was recorded by Nina Spirova in the 1970s. There are also versions in French, Swedish, and Finnish.
Rose In Spanish Harlem Song
in 1993. 's 1994 version was used over the closing credits of the film (2013). in 1999. in 2002. in 2003. in 2005.
recorded a version of the song, which can be found on the compilation album The Phil Spector Collection, released in 2006. American composer and producer covered the song and included it on his sixth album, released in 2012 through. The song has also been covered by,. AndIn media. discusses the song in the Carnegie Hall midnight concert on February 4, 1961.
The song is referred to in the 1972 song, ' on the album. The lyrics, written by, begin with 'And now I know, Spanish Harlem are not just pretty words to say. Now I know that rose trees never grow in New York City.'
The speaker is saying that the song 'Spanish Harlem' had given him a romanticized image of the city, but now that he has seen it for himself, he refers to it as a 'trash-can dream come true.' In turn, stated in interviews that Elton's song inspired the line, 'my Spanish Harlem Mona Lisa', in the 1999 song ', which Thomas wrote and sang.
Spanish Harlem Song
In the 1974 novel anti hero 'Cat' Shannon favorite tune is 'Spanish Harlem'. The song was included in the musical revue.References. Retrieved 2011-04-30. Retrieved 2016-09-26.
(2004). Top R&B/Hip-Hop Singles: 1942-2004.
Record Research. Rolling Stone. April 7, 2011. Retrieved October 1, 2015. ^.
The Official Charts Company. Top R&B/Hip-Hop Singles: 1942-2004. Record Research.
P. 215. (2002). Top Adult Contemporary: 1961-2001. Record Research. P. 97. Warner, Jennifer (September 24, 2014).
CreateSpace Independent Publishing Platform. Retrieved 18 May 2015. Retrieved July 17, 2015. Retrieved 2016-09-26. Retrieved September 23, 2012.External links. at.
Ain’t No Big Thing – Ralfi Pagan2. True Love – The Terrible Frankie Nieves3. Heaven (Is Not For Everyone) – Tito Ramos4. Central Park – The Harvey Averne Dozen5. Crying Time – Monguito Santamaria6. Don’t Be Afraid – The Lebron Brothers OrchestraSide 21. That’s How Rumours Start – Joey Pastrano2.
On Old Broadway – 107th Street Stickball Team with Ricardo Marrero3. Same Old Sad Song – Ray Jay & the Eastsiders4. Reflections Of My Life – 125th Street Candy StoreSide 31. Your Smile – Parrish2. Some Lonely Heart – Ronnie Marks3. There’s No Other Girl – Olivieri4. Maria, Maria – King Nando5.
Already Satisfied – Tony Middleton & Bobby MatosSide 41. I’ll Never Let You Go – The Lat-Teens2. Say Listen – The Nitty Sextette3. I’m Gonna Leave You – Russell Cohen & the New Yorkers4.
Lonely Has Been My Day – Ralphie & the Latin Lovers5. Ordinary Guy – Joe Bataan. DescriptionLabel: BGPYear: 2019Format: Vinyl LPI’m sitting have dinner with Bobby Marin – who has spent nearly 50 years in music, making scores of Latin records across every sort of style – and we’re talking about gigs. Bobby grew up on 107th Street Spanish Harlem and was a teen in the 50s. ‘Did you see James Brown?’ ‘I saw James Brown so often that it became boringJackie Wilson was something else’. Bobby was describing how music came into his life – how his brothers played mambo records and the radio was alive with the early sounds of rock’n’roll. This compilation focuses on the sort of Latin soul records made by Nuyoricans in a very small window in the late 60s, before it was blown away by the onslaught of the golden years of salsa.
The recordings were strongly influenced by the street corner harmony records of the late 50s and especially by Frankie Lymon and the Teenagers – who had two Latinos in their ranks.Artists such a Joe Bataan, the Lebron Brothers and Ralfi Pagan always had a soulful edge and Latin labels such as Cotique and Fania would release soul as well as salsa and boogaloo in an attempt to cross-over. The records that we feature here range from out-and-out soul, such as Parrish and 125th Street Candy Store, who appeared on Fania’s Uptite label, aimed at crossing over, but whose soul music appealed to Latin New York, and uptempo boogaloos with a soulful edge. In between we have glorious vocal performances from Joe Bataan, with his definitive reading of ‘Ordinary Guy’, Ralfi Pagan, the Lebrons and little known artists such as Ralphi & the Latin Lovers and Olivieri. We also have some highly sought-after recordings by Frankie Nieves with ‘True Love’ and Tony Middleton and Bobby Matos on ‘Already Satisfied’; both fetch well into three figures for an original single.
The same is true for the Harvey Averne Dozen’s ‘Central Park’.We have been lucky enough to have access to the archive at Fania Records and also the personal collection of Bobby Marin, and we have been able to talk to many of those involved, helping us to create a very special booklet. The combination of black and Latin rhythms returned first in disco and then as an enduring feature of New York music from the late-70s on, in hip hop and dance. This CD showcases the first step in a unique part of the New York melting pot, and some of the sweetest, most soulful music ever.